It's All About The Story at Choc Lit

I've been known to hang around Choc Lit's hot-pink stand at the London Book Fair in the past, trying hard not to look like a crazed fan. What I love about their submission process, is that submitted manuscripts are read by genuine readers and they only publish books their readers want to see in print. What better recommendation is there than that?

Choc Lit was established in 2009 and I've seen them grown into a highly respected independent publisher of quality women’s romantic fiction. They've won eleven awards, including the 2012 and 2013 Publisher of the Year and the 2012 Romantic Novel of the Year. Their books are available as ebooks and paperbacks and are distributed world-wide.

Last Monday I was sitting in bed at the end of a busy day, scrolling through my twitter notifications. I was confused to see lots of tweets congratulating me along with several other writers. After a little investigating, I discovered that I'd been shortlisted for Choc Lit's Search for a Star competition. Who'd have thought it? I shrieked for my husband to come out of the bathroom. My brave hero came out clutching a fist of scrunched up tissue thinking I'd seen a spider, because I tend to shriek when I see one. Who doesn't? Okay, lots of people, but I do.

I've been thrilled to bits all week and if I was more agile, I'd jump from the kitchen table and click my heels together.

My writing story began eight years ago when my three children became more independent and I discovered that I had more time to devote to my passion of storytelling. I soon realised that an imagination wasn't quite enough. I needed to learn the craft of novel writing.
I joined Nottingham Writers' Studio and an off-shoot fiction group attached to the studio. Here a small group of writers critique each other's work every month. I know my writing and my editing has benefitted hugely from these meetings. Slowly my first novel began to develop. I would urge new writers to join a group in their area. As well as a great social scene with like-minded people, there's also so much to learn from speakers and workshops. I also took the opportunity of attending writing masterclasses in Nottingham, London and at local libraries. I read constantly, entered competitions, visited both local and London book fairs and began this blog. However, nothing beats shutting myself in my writing room in the garden (a present for a special anniversary from my husband) and having imaginary conversations with my characters. It's a sanctuary of peace and quiet.

My writing room.

My writing gradually improved over the years and to my delight and surprise, I began to win local competitions. I joined the Romantic Novelists' Association's New Writers' Scheme and had my manuscript professionally critiqued. With revisions made, I entered another competition, this time a national one where writers were asked to submit the first chapter of an unpublished novel. To coin a phrase, you could have knocked me down with a feather when I discovered I'd won with the first chapter of Lies and Linguine, my first novel. Since then I've written another contemporary novel set in London and also one telling the story of a farmer's daughter living in a small village in France, during World War 2. (Of course there is a love interest threaded throughout the story despite the subject matter.) At the moment I'm writing my fourth book, also during in World War 2 but this time in occupied Paris.

In November 2015 my third book, All Is Fair, was shortlisted for the Love Stories 2015 New Talent Award held in London, by the Festival Of Romance. I didn't win, but wow, what a wonderful day out I had at Jewell, Piccadilly, with prosecco flowing and cup cakes laid out on the tables. I met several authors I'd spoken to on twitter and what a lovely bunch of ladies they were.

There's no doubt that rejections are hard to take and like many writers, I sometimes wonder if I'm good enough. Doubt has a habit of creeping up unexpectedly before I remind myself that I love the actual process of writing books. Whether or not I'm ever published, I know I'll continue telling stories because it's my favourite thing in the world to do.

A speaker once said at Earl's Court, that every writer must take a turn in the cold shower of rejection. I'd like to thank all the team at Choc Lit and their readers for turning the thermostat up a notch for me.

A Bitter-Sweet Affair

For the most part, I have a good relationship with my work in progress. My manuscript and I co-exist happily enough, both needing the other in order to get closer to a finished novel. But like any relationship, we have our ups and downs. But doesn't every writer hate their manuscript at some stage? Surely even the most successful author must doubt their next piece of work occasionally. Forget the old cliche of a roller coaster. My emotions are more like scaling and free-falling the Pennines!

One minute I love my work in progress. I think to myself, 'This is brilliant! It's so much better than that last reading book I bought but was too boring to finish.' I'm thrilled with the plot and my fingers are tapping on the keyboard like a demented woodpecker. Fast forward an hour, and I'm doubting my worthiness as a writer and wondering if I'll ever be published. Despite the free-fall, I know I love writing and have a great affinity with my characters. They're like real friends to me. I know what they're thinking, what they worry about and what they dream about. In fact, I miss the characters in Lies and Linguine and wonder how their lives have panned out since I left them. But no matter how much I love to write, some days it's difficult to stay motivated.

Manuscripts have to be almost perfect these days. Agents and publishers have such hectic and cost-sensitive work days, that they're looking for manuscripts which have been polished and sparkle, requiring very little additional tweaking. Nowadays a writer can't be satisfied with sending out three chapters and a synopsis having only edited them a couple of times. A book must be professionally prepared before submission. I suppose that's where some of the doubt creeps in. No matter how many times I return to a chapter, I can always swap a word, or tweak a sentence. It's knowing when you've done your best and it's time to step away.

Just like the lottery, you have to be in it to win it! If you don't finish your novel and edit it to within an inch of its life, you won't stand a chance at finding a publisher. But the crazy thing is, even if I won the lottery, all I really want to do is write. So surely I should be satisfied with the knowledge that I'm already doing what I love?

I think it's time to kiss and make up. My new characters in Sugar and Spite are waiting for me. We need to work together to get my second book finished. If you'll excuse me....I have a date with my keyboard!

Angst to Agent

I don't suppose three years is too long a time for a new writer to find an agent. It can take a much longer - if ever. So it was with delight, relief and gratitude when an agent contacted me in November 2010 to say she wanted to represent me. Thank you Juliet.

I have to say it was a hard, lonely slog. I didn't just send submissions out for three years and sit back and wait to get lucky. Initially, being a new writer with a lot to learn, I posted some submissions, crossed my fingers and waited. Of course I was rejected. Knowing what I do now, I was nowhere near ready to submit. But writing is a learning curve. I re-read my novel and was surprised by several silly mistakes I'd made. Missing speech marks, spelling mistakes etc. I'd also read that I should be indenting new paragraphs and dialogue, which I hadn't known beforehand. Can you believe that in the early days I didn't know how to number a page on my computer so on my first submission, I wrote down the page number with a pen! (I know, I know - shameful.)

And so I started learning the craft of writing. I visited The London Book Fair and attended a masterclass on How To Get Published. I also attended a workshop at Harper Collins and had a one to one chat with Jonathon Lloyd, CEO of Curtis Brown. Armed with more literary knowledge, I revised my novel over the next couple of months. I sent out a flurry of submissions once more. (Literary agent Simon Trewin from United Agency, advised me that it wasn't practical to send out only one submission at a time.) I received more rejections, but with one important difference. They were personal, hand written rejections. Agents said they'd enjoyed reading my work and it was well written, but the hook didn't grab them early enough, or my antagonist was too antagonistic! To me however, it was a giant step forwards and it didn't get me down. After all, as author Richard Ford said as I sipped my latte listening to his interview at the Literary Cafe at The London Book Fair,

"Every writer experiences rejection. We all have to take a turn in the cold shower. Ultimately, be yourself. You've got to write what you've got to write."

I gave my antagonist a conscience and made him friendlier. (Oh, to wave that particular magic wand on some drivers!) I re-wrote the first three chapters, moving the hook to the first few pages. I joined two writing groups and entered competitions.

I wrote, I read, I learned.

Monthly writing magazines dropped through my letter box and I invested in literary text books. I transferred this knowledge into improving my other chapters. I printed a hard copy and read it out loud. This really heped to ensure that the sentences ran smoothly and the dialogue flowed. I created a blog and started tweeting to other authors, agents, publishers, would-be writers. I read my work at writing group meetings, and later at a public literary event in Nottingham. I proudly won some competitions, most notably First Chapter Of An Unpublished Novel Competition, by firstwriter.com. I had my chapter published online on their website for a couple of months which was thrilling for a new writer.

In early summer 2010, I decided to spend some time researching three agents who were interested in contemporary women's fiction. One of which was Juliet Burton. I sent off my submissions and Juliet was the first to get in touch. She requested my full manuscript and having read it, Juliet out-lined areas which she was unsure about but praised my novel, which was wonderful to hear. I asked if I could send her my manuscript back once I'd made the suggested changes, and she agreed.

Having listened to and respected Juliet's professional advice, I deleted a whole chapter, merged two chapters into one and changed the work place of my heroine. Lies and Linguine was getting there! I emailed it back and Juliet agreed to represent me and my book. I had signed and returned the contract within a week and now, as they say, the hard work begins! And I'm looking forward to it.

Last Wednesday was Nottingham Writers' Club's Awards Night. Having spent a laughter-filled evening with fellow writers, I was awarded a silver rose bowl and two trophies for Lies and Linguine, a children's story and poetry. Wow! I walked back to my car with a dazed smile on my face. I'm sure the people I passed must have thought I was quite simple! (In the photo above, I'm proudly displaying my treasured awards in my writing room.)

I know nothing in life is guaranteed. Lies and Linguine still needs to find a publisher, but knowing that a professional literary agent has faith in my work is the most positive way I could have imagined starting 2011.

Mixed Blessings

Oh my goodness! What have I done?
I received an email this week from a relatively small publishing company. They wanted to meet and talk in January about publishing Lies and Linguine. I was over the moon and informed my agent immediately. As I'm new to all this, I needed advice from a professional. She wisely advised me to let them know that I now had an agent who was intending to put my novel out to larger publishing companies mid-January, but that I'd be happy to meet them anyway. This I did.
Unfortunately, this changed everything for the publishers. They said that they'd want me to sign the contract in January in order for my book to be published early 2012. This would be before my agent had tried to find a larger publisher who might be interested in my work. She obviously couldn't promise to find me a better 'deal' and could I take the chance at losing a publishing contract?
The bottom line is that my agent had faith in my work and I have faith in her. I've made the decision to see what 2011 brings with her help. I've said no thank you to the offer and they have now offered the contract to their next choice of author.
Very nerve-racking, but very exciting too.

Relief With A Hint Of Pride.

Well I've done it!
As another writer succinctly put it last night, I'm nolonger a public speaking virgin! I stood up and read my first chapter of Lies and Linguine to a crowd of novelists, poets, muscians, publishers and members of the general public. In the darkest recesses of my brain, I was half expecting to be pelted with rotting fruit and booed off stage. However, after hearing the first tinklings of laughter from the audience, at what I'd hoped was a witty remark by my protagonist, I started to relax, and actually enjoy it.
To be congratulated by talented writers was incredibly encouraging and a little seed of something strange stirred inside. Was I a little bit proud of myself? Remember the Grinch when his heart grew a little bigger and it shocked him? (Hopefully that's the only thing I have in common with the green creature!)
So now it's back to the final editing before my agent (still can't believe I'm writing that) puts it 'out there,' mid-January. PLEASE let 2011 be the year..........