Monday, 6 June 2011

Lies and Linguine

When Mark Twain uttered the phrase, 'Write What You Know', did he realise that those four words could impose huge limitations on writers imaginations? Panic ensues for the majority of us who lead, if not boring, then routine family lives. Do I really want to write about supermarket shopping, trying to find out which of my offspring uses a towel once and drops it on the floor, or when to give worming tablets to the dogs? Do our heroes have to be replicas of our partners, with the same annoying habits? Not the makings of a best seller!

But what does it really mean? After all, Shakespeare didn't know what it was like to be a young girl. But he had been in love before, so he knew how Juliet felt about Romeo. Writing what you know doesn't have to be taken so literally. We've all experienced sadness, grief, love, joy and fear. We've all taken a holiday, sat an exam, had painful unrequited crushes (or is that just me?) and encounted extreme weather conditions. It's our emotions and memories which we can draw on and write about.

Research is essential for accurately getting the facts right. My antagonist, Tess' boyfriend Blake, appears in court towards the end of my novel. I needed to research the workings of a Magistrate's Court. I spoke to lawyers and researched the correct procedure on the internet. In Lies and Linguine, Blake also visits a brothel in Amsterdam's Red Light District. Although I did visit Amsterdam and walked through the area, I drew the line at knocking on a door highlighted by a neon red light! Thankfully the internet came to my rescue for the seedier side of things!



I do think it helps to write a scene if I've visited a certain place. Accurate description can help paint a picture in the mind's eye. Write What You Know makes more sense and can be applied literally when it comes to settings. The photograph above is Car Colston, the village where I live. I've named it Larkston in Lies and Linguine. This is where my protagonist, Tess, lives. This is how I described Larkston in my novel.

After a twenty-five minute commute, Tess’ car rattled to a standstill outside Rose Cottage in the beautiful village of Larkston. The little house’s rent was comfortably affordable because most people didn’t want a morning commute in rush hour into the city of Nottingham. But Tess didn’t mind. For her, living in Larkston was like living in a painting. A narrow winding road curled around the village green, where grasses and wild flowers were given free rein to do as they pleased. By day, cows lolled and grazed on the common land, hemmed in by a small electric fence which crackled its warning at passers-by. A weathered matt pink phone box stood guard over the expanse of grass, the colour of unripe tomatoes, tinged taupe by the sun. The grass of the cricket pitch had been manicured into a smooth velvet covering, where birds dotted its surface looking like bored fielders. Informal gatherings of cottages bordered the edges of the open land, which were fringed by blackberry bushes and mature trees. The embattled clock tower of St Mary’s church rose above Larkston’s homes, protecting the eternally sleeping villagers beneath their storm-tossed head stones. At the heart of the green stood The Royal Oak, which swelled with the laughter of friends and family as they shared news and embellished stories.


Before I wrote my novel, I was fascinated by this magical house in the village. It over-looks the cricket pitch and whilst taking the dogs for their evening walk, I'd notice a light flickering in one of the windows. I wondered who lived there and what their story was. I decided that my hero, Daniel, would be the owner of this gorgeous property. Being young and with the property market being in such a poor state, I had to engineer the story to make it possible. Sadly I had to kill off his parents so that he inherited Larkston Hall from them. Writers can control anything in their novel - if only it was that easy in real life!

Daniel is a troubled artist who's haunted by two tragedies in his past. The death of his parents in a car accident and a further trauma involving his close friend Sean; a tragedy he blames himself for. His guilt and grief leave him with a mild compulsive disorder. An obsession with the number three. He believes that a third catastrophe will be averted if he completes particular tasks, three times.

The evenings had been long and seemingly endless in the early days. He’d spent them numbly staring at the television or in front of a crackling fire in the library. There he’d lose himself in long novels which whisked him away into other worlds. It was usually during these long evenings, after he’d finished reading but before attempting sleep, when Daniel thought about his parents and Sean most vividly. He’d tormented himself as he watched the twinkling orange embers collapse into grey ashes, blaming his own absence for his parents’ death and his wrong decision for Sean’s injury.
Two accidents. Didn’t bad things happen in threes?
This was the day that the number three took on a greater significance in Daniel’s life. He became fixated with the number. He stood up to go to bed, stopping at the library door. His eyes had lingered on the light switch. Perhaps if he switched it three times it’d keep the third disaster from happening.
OFF. ON. OFF.



This photograph is taken at the top of Parliament Hill on Hampstead Heath. I visited London just to spend the day on the Heath so I could colour my descriptions with more depth. My hero Daniel, has a twin sister called Denise who lives in London with her family. She's never had to fight for anything in her life, but after finding a breast lump, she must fight for life itself. This extract is from a family visit to Hampstead Heath. It's written before her life is turned upside-down.

“Come on slow coach, we’re nearly there,” she panted.
Four year old Sam was lagging behind, head bowed and pushing his chubby hands onto his bare scuffed knees with each laborious step he took up Parliament Hill. Simon had been a little way ahead with their eldest son Peter. It was a Sunday afternoon on a warm sunny blue-skied day. The melody of an ice-cream van tinkled up the hill, as lazy bees zig-zagged from daisy to daisy.
Today they were exploring Hampstead Heath in all its wondrous beauty. Living close by meant that over the years, they’d already discovered most of its wonderful secrets. Hidden glens, ponds obscured by leafy willows, crooked trees for small boys to climb and best of all, the stunning expansive views from the top of Parliament Hill. The boys loved visiting the adventure playground and watching the entertainers - clowns, puppets and magicians. Fairs visited on summer bank holidays and Simon took them fishing on the calm lakes. When each summer was almost over and the hint of autumn floated on the breeze, they’d pick a basket of blackberries to freeze and cook throughout the winter months. It was their special place to people-watch, fly kites, share picnics or just to wander and gaze.
It was to drink in the breath-taking view from the top of Parliament Hill, that they were climbing the grassy mount to the highest point in the city of London. An excited yell from the top of the hill drew her attention upwards. She shielded her eyes and laughed as Simon and Peter waved their arms above their heads having reached the top. She stopped and waited until Sam had caught up.
“Mummy, can we have an ice-cream when we go back down?”
“Of course, but let’s play king of the castle and sit on the top of the hill first.”
“Can we sit on our favourite bench?”
“If it’s free we can.”
Denise had held out her hand to her youngest son, which he grasped tightly.
“Mummy?”
“Yes darling?”
“Can I have a piggy back?”
Denise chuckled between breaths. “Phew, mummy is very old Sam and doesn’t have your young legs to carry her, let alone carry a little boy as well.”
“I’m not little, I’m four.”
“Compared to mummy and daddy you’re little.”
“And Peter?”
“Yes.”
“Mummy?”
“Yes…phew,” she panted.
“How old are you?”
“Mmm, well you shouldn’t really ask a lady how old they are, but because I know you can keep a secret, I’m thirty-two.”
“Mummy?”
“Yes Sam.”
“If you’re thirty-two and Uncle Daniel is your twin, then he is thirty-two too!” Sam had giggled and repeated, “thirty-two too, two too.”
“That’s right, there are no flies on you are there!”
Sam looked at his arms and bent double to survey his legs. “No.”
“No it means….never mind, look we’ve made it.”
Simon stood next to Peter on the summit, his arm draped around his eldest son’s shoulders. They were standing with their backs to her, looking at the view of the city.
“Hello, you two.”
They turned, smiling.
“Beat you,” Peter teased.
“Mum is very old and she has thirty-two legs. No, I mean her legs are thirty-two and old, so I had to stay with her,” Sam explained.
Simon laughed and kissed Denise’s cheek. “Sexiest old legs I’ve ever seen,” he whispered in her ear and tapped her bottom.




St. Mary's Church stands in the centre of our village. I lie in bed at night and listen to the mellow tones of the bells striking the hour. It doesn't play a significant part in my book, but is mentioned several times.

Larkston slept quietly the night before the exhibition. A rusting lamp spilled its pale glow onto the village green, flickering as if blinking tiredly. The silence was only broken by several persistent moths which fluttered repeatedly against the bulb’s plastic covering. A dusting of mist coated the grass like a froth of fungi, spreading a ghostly white blanket across the cricket pitch and countryside. St Mary’s church bell tolled three times, unheard by the sleeping villagers.



I loved writing this chapter. Above is a photograph of our village's Little Green. (The Big Green is in front of The Royal Oak) This is where Daniel took his dogs for a walk and the heavens opened drenching them all. Tess had seen Daniel walk past her cottage, so when the storm broke, she realised that Daniel had no protection from the elements. She raced to rescue him, her heart racing at the thought of seeing him again.

Tess rinsed her hands again and glanced up as she heard tapping on the window. Raindrops were spotting all over the glass. After drying her hands, she started stacking the dishwasher just as the tapping turned into a loud hammering. The rain beat down on the windows with ferocious strength. Tess was just thinking that a second deluge of water in twenty four hours would be good for her sun-baked lawn, when she remembered Daniel. He’d passed by with the dogs and the only place for dogs to run in that direction would be the little green, which had no shelter.
Without hesitating she shoved the pizza in the oven, grabbed her car keys and an umbrella from under the stairs and ran down the garden path. She jumped in her car and accelerated along the road with her wipers waving frantically in front of her. The rain pounded against the roof of her little car, deafening the music from the radio. She turned the corner and saw the expanse of grass and wild flowers being battered by the downpour. Standing in the middle of the green she saw Daniel and his dogs, hunched together under a mature tree. She beeped her horn and saw him turn to look towards her car.
Realisation dawned. She’d driven to Daniel’s rescue without giving it a second thought. Now here she was - the unimaginable about to happen. He would be sitting in her car, enclosed in this tiny metal box inches away from her within seconds. She hyperventilated as she saw Daniel running towards her. It was thrilling and terrifying. She took a lungful of air and exhaled slowly. He was a few feet away now, so she rolled down her window a few inches and yelled.
“Get in. It’s a strange ark but you’re all welcome aboard!”
Daniel opened the back door and jumped in gratefully. Harlyn and Brook leapt in after him and shook themselves on the back seat, showering them both.
“Best ark I’ve ever seen. Thanks.” He smiled at her through the rear view mirror.
Tess looked at his handsome wet face in the mirror. She felt awkward and shy now that he was sitting in her car with her. She hoped he couldn’t tell her heart was hammering against her chest, so decided to make up an excuse for passing by.
“I was on my way to Jackson’s mini store for some….mushrooms.”
Daniel leaned forwards so that his head was between the two front seats.
“Thanks for stopping. I was beginning to think I’d need a snorkel!”
His voice was inches from her ear, tantalizingly close. She could feel his breath on her skin as he spoke and could smell a faint lemon fragrance from his soapy shower.




This is the tree seat looking towards the village green and The Royal Oak. Tess tries to help Daniel overcome his phobia of fireworks, brought on by witnessing his best friend being maimed by a wayward rocket. She has done some research and believes that confronting a fear is the first step to overcoming it. She suggests that Daniel sits with her on the tree seat and watches a firework display on November 5th.

Tess shone the torch on the rough grass as they trudged across the green towards the bench. Behind them they could hear the crowds cheer as a rocket screeched skywards.
Daniel flinched and hoped that Tess didn’t feel it.
“They’ve started, you okay?”
“I’m fine,” Daniel lied, as they turned and sat beneath the skeletal canopy of the huge tree.
Sitting with their arms still linked, they both looked ahead towards the distant glow of the bonfire. The navy blue sky was bare and clear. Daniel thought how romantic this would be if they were on their own instead of sharing the village green with hundreds of people and waiting for disfiguring bombs to explode. Laughter occasionally broke free from the huddled crowd as voices cheered into the night, serenaded by crackling sparks from the fire.
Suddenly, the sky lit up with brilliant arms of cascading gold and silver stars. Bright glowing pearls rose silently into the darkness, dissolving into the heavens. Blue tracer stars crackled as they wriggled in a sparkling mesmeric dance. Gold clusters of star-bursts flashed and glittered above the green, lighting upturned faces. The whizzing and whirring echoed across the cricket pitch and far past the village.
Daniel pulled his scarf up to hide his mouth and nose. He didn’t think that a soft cashmere mix, a gift from his sister, would be much protection from a wayward explosive, but it made him feel warmer and safer. He turned to look at Tess to see if she was looking at him with a pitying gaze. Fortunately, she was looking skyward with a hint of a smile on her glistening lips. Her profile was silhouetted against The Royal Oak’s lights, a pale glow outlining her features. His eyes were drawn to her smooth neck which stretched upwards as she watched another rocket explode into a chrysanthemum of stars. Her lips parted slightly as a series of whistling clusters shot into the black night. He watched her eyelashes blink with each explosion and burst of colour. From the position they were sitting in, Daniel slightly behind Tess, he could watch her in secret against a backdrop of Swarkovski crystals raining down from the sky.
So, for the next ten minutes whilst a crescendo of squeals, oohs and aahs emanated from the distant crowd, and a climax of whistles, bangs and crackles sprang from the sky, Daniel focused on Tess. He drank in the curves of her profile and the warmth of her body leaning against him. A cheer and a noisy round of applause heralded the end of the display. Tess turned towards Daniel.
“You okay?”
“I’m fine,” he answered, truthfully. Watching the fireworks as a background to Tess’ lovely face, had been the perfect way to be re-introduced to the volatile explosives. They were the colour wash to the central eye-catching subject of the painting - Tess.


As Daniel walks Tess home, she gives him a piece of paper. The note contains information which changes Daniel's future. I can't give away what has been downloaded from Tess' computer, but it shocks him to his core.

Daniel laughed, having read it for the fourth time. It was the laugh of a hostage’s first view of open meadows after years of captivity - heady with manic relief. He shook his head and ran his hands through his hair. How thoughtful of Tess to let him read it privately. His eyes glistened with tears as he laughed again with loud rasps, his head thrown back and his hands clutching handfuls of hair. He paused, open-mouthed in disbelief.
Standing up, he paced around the table still clutching his hair. Like a demented Dickensian character, his frenzied laughter was interspersed with undecipherable words which he chanted to himself. His hand slipped to cover his face as he bent forwards, his laughter slowly morphing into deep uncontrollable anguished cries. His body shuddered with violent racking sobs as he leant on his folded arms against the kitchen wall.
He cried with relief. He cried for his parents. He cried for forbidden love.




Our family visits Cornwall during the summer and at Christmas. We know every alley way and short cut of Padstow, so it made writing a scene set in the little harbour town, so much easier. In Lies and Linguine Tess' parents still live at her childhood home near Padstow. Tess is offered a chance to fulfil her dream. She's always wanted to own and run a tea shop, and when one comes available over-looking the harbour, she makes an appointment to view it. I won't give the story away and tell you whether she buys 'Crimpton's Tea Shop', but here's a paragraph or two from the chapter.

The smell of fish and chips wafted around Padstow’s harbour, as Tess and her parents made their way to view the tea shop. Brightly coloured boats bobbed up and down on the water, like plastic ducks at the fair waiting to be hooked for a prize. As usual, the seagulls were out in force pestering the weekend visitors. The tourists were oblivious to the cunning skills the greedy gulls possessed in order to steal a chip or two. Four children ran past, their ice-cream-smeared mouths looking like clowns’ make-up.
The sun shone weakly through a thin veil of clouds, as Tess and her parents stopped outside the tea shop and looked up at the white-washed building. It was a small two-storey cafe directly facing the beautiful harbour. There was no doubt that its position was perfect. It had black paint work and a sign hanging over the door which read, Crimptons Tea Shop. Below the name was a picture of a pretty tea-pot with a cup and saucer.
Celia linked arms with Tess. “Isn’t it perfect darling?”
“It’s very pretty mum.”
“A manageable size, not too big to start off with.”
“Let’s have a look inside then.”




This is where our family stays when we visit Cornwall. The house over-looks majestic Harlyn Bay and the garden peters out onto the beach. We have spent many happy holidays in this house, so this is where Tess' parents live in my novel. Tess visits Harlyn Bay three times. Once is set a Christmas time where there's much laughter and frivolity. Another visit is beset with disappointment and despair. This excerpt is from her first visit home where it dawns on her that she's fallen in love with Daniel.

At the water’s edge, strands of seaweed tickled her toes as a smooth pebble cart-wheeled on a shallow wave and stopped at her feet. She picked it up and stared at it in disbelief. Lying in her palm was a pebble – the perfect shape of the capital letter D. Was it a sign? Tess shook her head with a smile. Now she was just being sentimental. Common sense told her that somewhere on its ocean-tossed journey, this pebble would have smashed against rocks and split in two. She wrapped her fingers tightly around her precious rescued treasure. Glancing along the deserted beach to check that she was alone and that the kite flyers had left, she breathed in deeply, closed her eyes and lifted her face to the sun.
“I love you Daniel Cavanagh,” she shouted out to sea, his name lost amongst the call of the gulls.




The beach is where my story ends. My four main characters have obstacles to overcome before they reach the finale. Will Daniel overcome his demons and allow himself to love again? Will Tess find out that it's a devious lie which is stopping her from leaving her boyfriend? Can Denise beat her life-threatening illness? And does Blake escape a prison sentence and win Tess' heart back?

Friday, 27 May 2011

My Visit To The Chelsea Flower Show 2011

Perfumes are the feelings of flowers. Heinrich Heine

The RHS Chelsea Flower Show is a garden show held every year for five days in May. It's held in the grounds of the Royal Hospital Chelsea. The RHC is a retirement home and nursing home for British soldiers who are unfit for further duty, due to old age or injury. The residents are referred to as Chelsea Pensioners and wear iconic red coats on which to display their medals.



'Tis my faith that every flower
Enjoys the air it breathes. William Wordsworth

The Chelsea Flower Show is the most famous show in the UK and perhaps the most famous gardening event in the world. It has become part of London's summer social season. It's a ticket only show, covering eleven acres in the Royal Hospital's gardens. Medals are highly coveted and awarded to the best show gardens, best flowers, exhibits of trees/shrubs and vegetables.

The photograph below shows delicious plump ruby strawberries, but sadly the picture doesn't convey the amazing sweet smell which surrounded the display!



Earth laughs in flowers. Ralph Emerson

I loved this statue of Alice in Wonderland. It reminded me of Edgar Degas' ballerina in bronze which I saw last autumn at the D'Orsay Museum, in Paris. If I owned this Alice, I would dig a deep round hole nearby so she could follow a top-hat-wearing white rabbit when it appeared!



I will be the gladdest thing
Under the sun!
I will touch a hundred flowers
And not pick one. Edna St. Vincent Millay



Flowering Redcurrant

Underneath the silver birch
They’d hang pink with pleasure,
Blushing blossoms
Full and frothing.
Beneath the birch’s lolling leaves
I’d read, or sing or dream.
And look through dappled light
To pale bare skies
Where contrails paint across the blue.
Small fingers fashioning necklaces
From a constellation
Of crimson-tinged daisies,
Dotted on the lawn.
The smell of earth, damp and raw,
Grass stained knees and the tantalising
Whispers of summer on the breeze.
I’d lie beneath those verdant boughs,
Embraced in their beauty.
And even today,
When years have passed,
I smell the flowering redcurrant
And remember,
And smile.

By Angela Barton



This flower display (below) in the Grand Pavillion, reminded me of fireworks. Here are a few paragraphs from my novel Lies and Linguine. Daniel has been scarred physically and mentally by a firework accident in his past. Tess has suggested that he faces his fear with her, in order to help heal his nightmares.

The sky lit up with brilliant arms of cascading gold and silver stars. Bright glowing pearls rose silently into the darkness, dissolving into the heavens. Blue tracer stars crackled as they wriggled in a sparkling mesmeric dance, lighting upturned faces. The whizzing and whirring echoed across the cricket pitch and far past the village.
Daniel pulled his scarf up to hide his mouth and nose. He didn’t think that a soft cashmere mix, a gift from his sister, would be much protection from a wayward explosive, but it made him feel warmer and safer. He turned to look at Tess to see if she was looking at him with a pitying gaze. Fortunately, she was looking skyward with a hint of a smile on her glistening lips. Her profile was silhouetted against The Royal Oak’s lights, a pale glow outlining her features. His eyes were drawn to her smooth neck which stretched upwards as she watched another rocket explode into a chrysanthemum of stars. Her lips parted slightly as a series of whistling clusters shot into the black night. He watched her eyelashes blink with each explosion and burst of colour. From the position they were sitting in, Daniel slightly behind Tess, he could watch her in secret against a backdrop of Swarkovski crystals raining down from the sky.
So, for the next ten minutes whilst a crescendo of squeals, oohs and aahs emanated from the distant crowd, and a climax of whistles, bangs and crackles sprang from the sky, Daniel focused on Tess. He drank in the curves of her profile and the warmth of her body leaning against him.
A cheer and a noisy round of applause heralded the end of the display. Tess turned towards Daniel.
“You okay?”
“I’m fine,” he answered, truthfully.
Watching the fireworks as a background to Tess’ lovely face, had been the perfect way to be re-introduced to the volatile explosives. They were the colour wash to the central eye-catching subject of the painting - Tess.




I can't look at blossoms now without thinking of Dennis Potter. What an incredible interview he gave to Melvyn Bragg. Dennis Potter was dying of cancer and this interview was to be his last. As he sat there obviously in great pain and occasionally swigging liquid morphine, I'll never forget some of his descriptions. He said that he knew his days left on earth were numbered, which made him take notice of simple things and appreciate the beauty of nature. It's so easy to walk past a blossom tree, but he said that as he knew this would be his last spring, the blooms looked like the 'blossomiest blossom' he'd ever seen. He said he was appreciating the 'nowness of now' and not just sailing through his last days. It was a great lesson in appreciating the present and not always planning for the future. Our lives are now - we're living it!



Flower-filled garden partitioning.



I'm always transfixed when I see a bonsai tree. Barely a foot high, they are perfect minatures of the giants in our gardens and parks. This beautiful artistic medium originated in Japan. Their purpose is purely ornamental. They're not grown for fruit or medicines. The earliest mention of dwarfed potted trees was depicted on a scroll dated back to 1195. Luckily, due to the early warm spell this year, this bosai tree blossomed during the perfect week - The Chelsea Flower Show week!



What's in a name?
That which we call a rose
By any other name would smell as sweet.

Shakespeare (Romeo and Juliet)



With plaited alleys of trailing rose
Long alleys falling down to twilight grots,
Or opening upon level plots
Of crowned lilies, standing near
Purple-spiked lavender;
Whither in after life retired
From brawling storms,
From weary wind,
With youthful fancy, re-inspired.

Tennyson (Ode to Memory)



The flower that smells the sweetest
Is shy and lowly. William Wordsworth

Sunday, 22 May 2011

A Road Of Lemon Bricks



A hag with skin as green as crinkled cabbage,
Screamed a cackling curse.
A vortex whisked and whipped,
Twisting spirals and coils
Like an unfurling skein of wool.
I held him close, my four-legged friend,
A bundle of fur that nudged closer
For comfort.
I closed my eyes, squeezing them shut
Until they puckered like smocking.
Silence.
A sudden bark and bare blue skies,
As a new world emerged.
With friends of tin, and straw
And a lion as timid as a whisper.
And small folk dancing and skipping.
Wishes come true if you only believe,
Or so the good witch said.
A gift of red shoes,
Which twinkled like the nursery rhyme
With each step I took,
Arm in arm with my chums.
And still the journey made me gasp with wonder.
A road of lemon bricks.
Apes which soared on outstretched wings
Over rainbows in the cyan sky.
A magic castle where lived a wizard
Whose voice boomed from beyond.
“Click your heels in your ruby shoes
And make a wish from your heart.”
With a hug and some tears
I bid farewell to a beast now so brave,
A scarecrow who understood
And a man of tin who cried with love.
Inhaling, I made a wish
“I want to go home - there’s no place like home.”

Tuesday, 10 May 2011

My Versatile Blogger Award



I'd like to thank Carol Bevitt (Carol's Corner) for awarding me a Versatile Blogger Award. I hadn't had the best of days, so when I checked my computer for the last time before going to bed last night, I found a message from Carol. What a lovely end to the day! I believe I must tell you seven things about myself that you don't know, before passing on the award to seven other people. Here goes!

1. I'd love to write a novel set in the Victorian times. I'm starting some research with a visit to Southwell Workhouse in Nottingham this Friday.



2. I've worked in Riyadh Military Hospital, Saudi Arabia. I looked after tiny poorly babies in the Special Care Baby Unit.

3. I don't usually blow my own trumpet, but I'm a dab-hand at painting and wallpapering!

4. My favourite holiday destination is Amalfi and Ravello on the Amalfi Coast in Italy. It is a magical place which I've visited with my husband several times.



5. My sister, Jennifer, lives in Los Angeles, California. She moved there as a nanny, twenty five years ago. She has settled there with her family and sadly I only see her every 3-5 years. Happily though - I'm visiting her this September!

6. When I was 13, I ran away from home to find Marc Bolan!



7. I'm on the committee of Nottingham Writers' Club, a member of Nottingham Writers' Studio and a member of The Walk Book Club.



I award the Versatile Blogger Award to,

http://onthewhitepage.com

http://1lovelife.blogspot.com

http://firstdraftcafe.blogspot.com

http://bit.ly/iH1R9G (@MariamMKobras)

http://talesfromthevillage.com

http://bit.ly/cB1Ofj (@NettieWriter)

http://teatimewithaccargill.blogspot.com

Thursday, 5 May 2011



Another competition - another poem! This time the theme was 'Going Home.'

Dusk in Afghanistan

He looks for beauty in this brutal game
Amongst the bitter dust of Helmand,
And finds it in the sun’s splendour;
Its amber rays caressing the mountain range
As army boots leave prints in the earth,
As barren as unanswered wishes.
He finds no flower to press against his face and smell
Memories of his wife’s perfume.
Waning daylight cling to rocks,
Holding back the invading night
Where silent terror lurks unseen.
And evil crouches, exhaling poison as it waits
Minute
By
Slow
Minute.
Squabbling insects dance and torment,
Biting and sucking his pink-parched skin.
He thinks of England’s gentle rain
Dimpling puddles under pewter skies,
And sighs.
Dusk creeps onwards darkening his thoughts,
As the Reaper hides nearby,
Planning a repulsive requiem,
Whilst searching for the next soul
To steal from loved-ones across the sea,
So
Many
Miles
Away.
The soldier wipes his furrowed brow
Wrinkled like the wind-blown dunes.
Eyes raised, he looks into the navy sky;
A shared constellation with home.
Moving onwards
Past peripheral shadows of outcrops,
Like broken teeth in a rotting mouth.
Tears roll down the hardest face each silent night
In this foreign land, where each man dreams
Of going home.

By Angela Barton

Monday, 2 May 2011

Sepia Memories

I wrote this poem for a competition with the theme, 'A Chance Remark.'



Sepia Moments

Touching your profile in sepia,
Tracing my finger
Around your smile.
Bundles of letters tied with ribbon,
Frayed and faded
It hugs your words.
A tear-stained message,
Peppered with smudged pools
Of diluted ink,
Telling of your death in war.
Sixty years of tears,
Believing you loved me.
That you held me in your heart
As you breathed your last.
Pages of memories
To turn
And fold.
To mark for future return,
When dwelling and lingering
Stings like salt
Seeping into a suppurating wound.
And then, a voice whispers cruelly
Shredding those pages,
Tearing at the truth,
Erasing each word.
A chance remark reveals
You live!
You lied.
A hero in war; a coward in love.
I heard the angel who nursed you,
Whilst I grieved,
Shared your three-score years.
Whilst I held in my arms
Your sepia bundle of words
And the child you never knew.

Angela Barton

Thursday, 21 April 2011

A Bitter-Sweet Affair



For the most part, I have a good relationship with my work in progress. My manuscript and I co-exist happily enough, both needing the other in order to get closer to a finished novel. But like any relationship, we have our ups and downs. But doesn't every writer hate their manuscript at some stage? Surely even the most successful author must doubt their next piece of work occasionally. Forget the old cliche of a roller coaster. My emotions are more like scaling and free-falling the Pennines!

One minute I love my work in progress. I think to myself, 'This is brilliant! It's so much better than that last reading book I bought but was too boring to finish.' I'm thrilled with the plot and my fingers are tapping on the keyboard like a demented woodpecker. Fast forward an hour, and I'm doubting my worthiness as a writer and wondering if I'll ever be published. Despite the free-fall, I know I love writing and have a great affinity with my characters. They're like real friends to me. I know what they're thinking, what they worry about and what they dream about. In fact, I miss the characters in Lies and Linguine and wonder how their lives have panned out since I left them. But no matter how much I love to write, some days it's difficult to stay motivated.

Manuscripts have to be almost perfect these days. Agents and publishers have such hectic and cost-sensitive work days, that they're looking for manuscripts which have been polished and sparkle, requiring very little additional tweaking. Nowadays a writer can't be satisfied with sending out three chapters and a synopsis having only edited them a couple of times. A book must be professionally prepared before submission. I suppose that's where some of the doubt creeps in. No matter how many times I return to a chapter, I can always swap a word, or tweak a sentence. It's knowing when you've done your best and it's time to step away.

Just like the lottery, you have to be in it to win it! If you don't finish your novel and edit it to within an inch of its life, you won't stand a chance at finding a publisher. But the crazy thing is, even if I won the lottery, all I really want to do is write. So surely I should be satisfied with the knowledge that I'm already doing what I love?

I think it's time to kiss and make up. My new characters in Sugar and Spite are waiting for me. We need to work together to get my second book finished. If you'll excuse me....I have a date with my keyboard!